Tuesday 29 November 2011

BREAKING NEWS!!! Our Vintage Community to have its very own National Publication... Congratulations to the Love Vintage Magazine....


I am most certain you will be as excited as I am about our Vintage Community finally having its own voice....  

I am so pleased to be able to share this news with you all.... 

In March 2012 at the Sydney Love Vintage Fair, we will be launching our brand new 

National Magazine to be called (aptly) “LOVE VINTAGE”

This early release is for you, our Charm School Family, Friends and Debutants, past and present.....

(Exclusively to you) – (Mention our Name) 

6 Months Subscription (Delivered to you) for only $38.00.

Simple fill in the attached and send off and be the FIRST to get this publication, 

I am also pleased as punch to announce that I have been asked to be the Vintage Syling Editor of the Magazine. 

A huge honour that I am humbled to accept and look forward to delivering interesting content to you every issue...

There are so many wonderful contributors to this magazine we can hardly wait to share the first issue with you all...







If you Love Vintage then the Love Vintage Clothing Show and Sale is for YOU!!... 2012 Shows now Released....

The Lindy Charm School for Girls is proud to be associated with and continue to support The Love Vintage Fairs.  Now Sydney, Brisbane, Canberra and Melbourne...Here are the 2012 dates.  We will be at every show giving demonstrations, holding workshops and of course, have our ever popular Charm School Salon open for business , offering hair do's and advice to the visiting public...  They will be bigger than ever in 2012 with some very exciting launches happening so mark your diaries ladies and get ready to walk the red carpet with us....xx


Sydney Love Vintage Show

A FRESH, FUN FABULOUS WAY TO GROW YOUR BUSINESS!
After the successful Sydney Love Vintage Show in October, Expertise Events has expanded the 2012 show calendar, and we invite you to be a part of this exciting new venture in vintage!
http://em.expertiseevents.com.au/images/admin/lovevintage/ShoppingE.JPG

If you sell original vintage, antique or retro fashion (for gals or guys), accessories, jewellery (fine or costume), textiles, small collectables, curios or homewares, you need to exhibit and sell at the Love Vintage show!


Did you know? Our coordinated advertising and publicity campaign resulted in 50% new visitor attendance at the Sydney Love Vintage Show in October... vintage is becoming more interesting to more people, creating a growing market!
_______________



NEW INITIATIVES FOR A NEW YEAR
A number of new marketing initiatives will be put in place in 2012, and as an exhibitor, you have the chance to capitalise on the opportunities we create and the advertising dollars we spend:


http://em.expertiseevents.com.au/images/admin/lovevintage/SwimwearE.JPG
♥ Expert Workshops. There will be a dedicated workshop area at each show where exhibitors (or a special guest speaker on behalf of the exhibitor) can present to visitors about an area of vintage they specialise in or is of interest to their customers.
           Maybe you specialise in a certain style of collectable jewellery, or a specific design er range of clothing, or maybe you could show and tell visitors how to care for vintage linen? Whatever you chose to present, a workshop is the perfect, cost effective way to highlight your presence at the show, as well as educate and create new buyers. Your workshop will be listed on the show website and in the preview booklet.
♥  Friday Night will be a special 'red carpet' event at each show - with parades, best dressed competitions, entertainment and more! The perfect way to kick-start publicity for the weekend.


♥ Preview Booklet< b>s will be mailed to our extensive database in the weeks before each show. Exhibitors will have exclusive advertising and promotional opportunities in this mini-mag, and will be provided with FREE copies to distribute - the best grass-roots marketing!


♥ PR company on the books for all shows. Sydney October was the first Love Vintage event to have a dedicated PR team and the results were outstanding! More than 25 articles and listings in metro and suburban press, magazine articles, radio interviews, fashion and 'what's on' web listings and a guest appearance on Channel 9's Kerrie-Anne. Several exhibitors benefited directly from stories secured by A Little Extra - a FREE service offered to all exhibitors!
http://em.expertiseevents.com.au/images/admin/lovevintage/CaseySimmsE.JPG
♥ Media Partners maximised.
For the Sydney October show we partnered with frankie magazine to promote Love Vintage to a young and creative audience through advertising, email newsletters, and social media such as Twitter and Facebook. More than 25% of all visitors to the show were regular readers of frankie!

        Our 2012 advertising campaigns will include media partnerships that will benefit the shows and exhibitors by increasing awareness of the events.
_______________
BOOK YOUR STAND TODAY!
You'll find Quick Links to all the show information and contact details at right.

Our professional show stand packages are fully inclusive
of walling, lighting, trestle table and signage, and all exhibitors receive FREE marketing support - PR opportunities, web and program listings, and promotional flyers, posters, magazines and web buttons.
We have a variety of stand sizes and configurations to suit your budget and product, so contact Nicole today for a quote.

Don't miss out - stand numbers are strictly limited!


LOVE VINTAGE SHOWS IN 2012
SYDNEY • March 23 – 25
Hordern Pavilion
Entertainment Quarter
Moore Park
NEW VENUE

CANBERRA • April 27 – 29
Budawang Building, EPIC
Mitchell
NEW SHOW

MELBOURNE • May 18 – 20
Royal Exhibition Building
Carlton
NEW VENUE

BRISBANE • July 13 – 15
Brisbane Exhibition Centre
South Bank
NEW SHOW

SYDNEY: Summer
September 14 – 16
Racecourse Function Centre, King St, Canterbury

http://em.expertiseevents.com.au/images/admin/lovevintage/ClockE.jpg
http://em.expertiseevents.com.au/images/admin/lovevintage/click_on.jpg


  http://em.expertiseevents.com.au/images/admin/lovevintage/TypewriterE.jpg
CONTACT US
To enquire about
participating in any of the Love Vintage shows, please contact:
Nicole McLennan
Show Manager
tel:
0409 150 692
email:

nicole@lovevintage.com.au


http://em.expertiseevents.com.au/images/admin/lovevintage/ExpertiseEventsE.jpg.

Find out more about Expertise Events - click here to discover our proven track record as organiser of many of Australia's leading events. You can also review some of the exclusive resources offered to exhibitors to assist them in making the most of their participation in the Love Vintage shows

Monday 14 November 2011

Its going to be a Ring-a-Ding-Ding - Best get Togged to the Bricks....


7.30 pm to late – Saturday 3rd December 2011
BYO Alcohol & Nibblies
Softdrinks and Water on Sale
No Powder
Swing-A-Billy Ray will be spinning all the best swing, jump blues & rockabilly tunes in between the set breaks of your 10 piece swing band
“The Well Swung Daddies”
Prizes for best dressed
$20 pp limited to 80 people
Call or email Chrissy or Brian to book your seats
Brian: brimilly@gmail.com
Chrissy: lindycharmschool@gmail.com

Friday 4 November 2011

A brief overview of western social history and its effects on fashion from the 1920s to the 1950s

From the Desk of Ms Celia from Kitty’s Vintage Kitsch
(http://www.facebook.com/KittysVintageKitsch)


The 1920s was the decade that saw more changes than any other of the twentieth century; this was true for morals and social mores, but more than anything, for women.

During the first world war (1914-1918), women had taken on many jobs that had previously only been held by men- factory work, manual labour, heavy cleaning and secretarial work. Spurred on by the suffragette movement, economic necessity and the need for wartime labour, they became used to having their own money, having more freedom and dressing in a more utilitarian manner than ever before.




In 1918 and 1920 respectively, women in the UK and the USA gained the right to vote. Emancipation took on a broader meaning than simply gaining the right to vote; women began emancipating other spheres of their lives too. They began smoking in large numbers, staying out late at night without chaperones, drinking in public, even having open lesbian flings.




The general need for practicality during wartime followed through to women’s clothing, from the inside out. Frilly, layered undergarments worn by the Victorians were replaced with simple cami-knickers. Long hair was now seen as a symbol of pre-war idleness, and was cut short, often in a severe 'bob' style. Jewellery changed too; costume styles were all the rage, with younger women embracing sparkly rhinestones, shiny chrome and lots of colour. With the advent of coloured Bakelite around 1927 came lots of chunky, clunky bangles-the ones we still love today.


Mannish looks were popular with those who liked to shock their elders; men’s suits were worn by women for the first time, and sportswear for women was an option for the first time. Dresses became loose-fitting (much easier to dance in), the waistline was lowered, and hemlines came up to just below the knee. The silhouette was long, straight, sharp and sleek.

For those who wanted to accentuate this new look, special bandeau bras were available to flatten the breasts. They worked by pushing the breasts to each side, even under each arm if possible. The ultimate sacrifice for fashion, however, would be the cosmetic mastectomy, which became available in 1920s Paris for the first time.

Fabrics were all natural- plush silk velvets, cotton voiles as light as air, and woollens for the cold. Evening wear featured intricate beading, fabulous fringed shawls and stunning opera coats with highly decorative sequinned and beaded collars.




The face was all about the sharp look; framed by the ever present, close-fitting cloche hat, the hair was done in clean lines for daytime, often softened by finger waves for evening. A cupids' bow mouth was all the rage, especially with very dark lipstick. Makeup was also a first for many women in the 1920s, so to wear noticeable makeup-and to be seen to be carrying a compact or lipstick- was certainly daring and hugely fashionable.






So if the 1920s were mannish, emancipated, and full of parties, what were the 1930s all about?? In a word- austerity.

The stock market crash of October 1929 in the USA largely caused what is known as the Great Depression; the longest, most severe and most widespread depression of the twentieth century. In one day, the stock market lost $14 billion- that would be the equivalent of $377 000 000 000 today!

Unemployment was around 25%, but with no government benefits, the resultant poverty was intense for those without work. Some 60% of the population were financially disaffected by the Depression. Naturally this created a sombre public mood; gone were the days of lavish parties and hedonism. Even those who could afford it were nervous about the future and mindful of their less fortunate counterparts.

This was the true start of the 'make do and mend' era for many families whose incomes had been reduced. Mothers and grandmothers altered, mended and re-altered their dresses to stretch the budget. Manufacturers started making cheaper dresses, lower-heeled shoes and smaller, plainer hats. A return to 'sensible dressing' was seen, with a more feminine look. The waist returned to its natural position, hemlines lowered to mid-calf length, and any fancy clothing details were all around the collars and the shoulders.



The sombre social mood was reflected in fashion colours- maroon, olive green, mauve, taupe, browns, muted blues and black were by far the most common colours seen. Women learned to make the most of what they had, updating with cheap accessories, new trims for old hats, a pair of shoe clips, a plastic brooch or borrowing a fur from a friend for a special occasion.



This was an era when everyone could sew, and this is why we modern vintage lovers will often find sleeves, hems and seams with extra panels, later-added shoulder pads and all sorts of weird and wonderful alterations with different features from different eras apparent.

And the sewing continued throughout the 40s too! The outbreak of WW11 in 1939 caused an even more sombre public mood; what followed, as we know, was economic rationing, hardship, and the height of the 'make do and mend' era.

As increasing numbers of husbands, brothers and boyfriends went off to war, women were again required to focus on practicality and support the war effort. Many worked in factories (think of the well-known image of Rosie the Riveter), land armies, nursing and other auxiliary services.

Patriotism was all; to be viewed as 'not doing your bit' or 'dressed up fancy' was in very poor taste at the time.

The rationing of cloth and clothing began in 1941 in the UK and 1942 in the USA, and lasted until well after the wars' end. Food, too, was strictly rationed, and the supply of certain foods such as butter did not return to normal until 1952. It's little wonder that people in general were a little slimmer in those days; there was less food available, no processed food, few takeaways existed and people simply ate less.

Add to this, the wearing of proper foundation garments such as tight corsets and girdles was an essential. No self-respecting woman left the house without one, as they reduced the waistline by some three or four inches. Are we surprised, then, that many 1940s garments seem small these days?!




So, how did fashions change from the 1930s to the 1940s?? Everything was simplified. Practicality was paramount. Skirts were shortened to just below the knee, decorative features such as the huge 30s-style sleeves disappeared, buttons were limited and nothing looked 'frou-frou'.

All sorts of cloth was refashioned into useable clothing-pillowslips became shorts, wedding dresses were handed down, begged, borrowed and made to fit the new wearer. Cast-off trims and laces may have been used for children’s clothing.

Stockings were extremely difficult to obtain, which led women to such things as drawing a vertical seam line along their legs or dyeing their legs with tea bags (used, of course!) to appear as if they were wearing stockings. As an alternative, the wearing of ankle socks was introduced to adult women, and was strongly encouraged by the government, and even shown in propaganda-type posters.


1940s hair was high maintenance by our standards; pin curls, sets, victory rolls and blow waves were a daily or at least weekly necessity for every woman. Practical styles for the working woman evolved too; the turban hat and the wearing of a neatly-tied scarf became more common. Still, these more casual styles had a definite 40s look to them, and were always very carefully groomed when out in public.



After the end of WW11, naturally there was much cause for celebration. Things, however, did not return to normal right away. Rationing stayed in effect for numerous items for years after the wars' end, and it wasn't until 1947 that Christian Dior pioneered the 'new look'.


The 'new look' was a reaction against everything people experienced during the war. Women wanted fun, frivolity and new fashions. There were lush, full skirts, plentiful makeup, lots of accessories, a variety of happy colours to choose from. As rationing lifted, skirts became enormous, with literally yards of fabric, hair was cut short for ease of styling, stockings with stretch (and so without the seams) were worn with gay abandon, petticoats were full and frilly, and matching accessory sets (compact, cigarette case & lighter or handbag, shoes & gloves) were mandatory.